Robin Williams, Cheryl Hines, Joanna “JoJo” Levesque and Josh Hutcherson, with Jeff Daniels, Kristin Chenoweth and Will Arnett.
A classic scenario. An overworked dad needs to reconnect with his family and plans a vacation. You know, to relax and get away from it all. To the perfect vacation spot to chill and definitely get away from it all. But the very reason Dad needs a break follows him down, and such pressure from work defiantly gets him away from all that plagues him.
So now what? Risk his career or risk his family? Both! Let’s rent a clunky RV and head out to Hawaii!
Um, who’s got the map?
As many movies have informed/warned us full-blown family vacations are rarely ever what they’re cracked up to be. Except the whole cracking up part. That’s a given.
Oh sure, it seems like a good idea at first. Whether it’s a road trip with no real destination in mind (or at least mediocre one), a week at the beach, blazing a trail through the great outdoors or dedicating just one weekend to cleaning out under the couch cushions—eventually to the couch itself—to find that dang Amazon Fire remote that got lost one day after the installation. And if that isn’t quality family time, what is (besides also finding all that loose change so one may buy a replacement)?
It’s that nagging “quality family time” bit, that’s what always trips the trip up. As we’ve learned from quarantine (at this time of writing) being cooped up with your loved ones for too long devolves into the love scene from Lord Of The Flies. Whatever skewed and misguided Rockwell-esque dream trip you were imagining stresses you the f*ck out when it doesn’t come to fruition. And why is that? Because Rockwell painted ideals, not actuality, and your imagination has been palsied by too much work, pointless PowerPoint presentations, lousy coffee and those irritating motivational posters that litter your office walls like so many stray bullet holes. One always makes vacation plans when one is desperate to get lost, an end-of-the-rope kinda scenario. How can you think straight when you’re so stressed out? Right.
Getting away from the humdrum is necessary once and again, and of course there are good parts and bad parts to that idea. Especially if you’re strung out at both ends. The good’s obvious: heading away from said humdrum! To the beach for swimming and sun! To the woods for camping and hiking! To Vegas for free shrimp toast and to lose and lose again! Change of scenery is what it comes down too, kinda like that Jimmy Buffet tune, “Changes In Latitudes, Changes In Attitudes.” At least that’s what one expects. Hopes.
Now this is the rub. An essential need in going on vacation is a routine. This facet may be why vacations get so damned stressful, Rockwell notwithstanding. Okay, home/work life is getting you down and you demand an escape. Understood. However in order to take a vacation you must leave that routine—that lifeline—at home for a while, which is in and of itself stressful. Sure, you might’ve gotten tired of dopey Reddit forums and resolve to not touch your phone on your getaway, but by day three you’re back at it again, all wiry and frustrated. See where I’m going here? A vacation is as only as relaxing the further you leave your daily routine behind, however in order to enjoy a vacation your daily routine must be put in perspective; you don’t give it up. You can’t. It’s SOP. You can’t appreciate a vacation unless you measure it against your normal life, and that normal life is what you get homesick for by day three. Doubt me? How many times have you been on holiday when someone in your family/party says something like: “Wonder what the others are doing back home?” or “This sure beats your desk job, right?” Folks don’t truly appreciate vacations at face value. All they are is distraction. Distractions that come with distractions, like scrolling trough Reddit again, foaming at the mouth all the while. And of course you all have to come home eventually, lest have the RCMP form a search party.
BTW: Why is it called Reddit when most posts are written by folks who obviously can’t read and simply adore comma faults?
English lessons aside, one takes a vacation to escape the stress and strain of the daily grind. One gauges how good the trip is against your daily grind. Eventually one needs pieces of that daily grind to deal with the stress and strain of a vacation. Out comes the iPad you should’ve left at home and whatnot. Sure, that hotel room sure is sweet, but that’s not your bathroom. Stocked with rinky-dink soaps and shampoo bottles that aren’t your brand and you didn’t bother bringing your brand anyway because, hey, the hotel provides soap.
You get it. You have to take it with you, otherwise you can’t appreciate the getaway, and you need some anchor with a very, very long chain to keep you balanced. Seems like a lot of baggage to carry while you carry your baggage to the trunk of the sighing minivan. You can leave but you can never escape.
I know, I know. I’ve once again shellacked a cynical veneer across a universally wonderful idea like a vacation. But am I wrong? When I was a pup I was glad—happy—to spend another summer on Fire Island (well away from the gay communities, which sounded like fun incarnate but I didn’t know any better). However over the years the conveniences of the mainland ever creeped onto my summer idyll. First it was my CD player. Then the VCR with a clutch of choice tapes. Then the NES (so long sunset watching). Then cable. Then BOOM, I was home again away from home with no homework. At least there were beaches, but being in the sun between 11 AM and 3 PM were bad for my skin and I was working my way through Legend Of Zelda‘s second quest and…
A trap of bringing too much home with me. Some of it by choice, like the Nintendo. Some of it unavoidable, like hanging and dealing with the extended family. Some of it essential, like the Nintendo. You can’t really “get away from it all.” That’s a myth. You always bring something along to ground you, something you. Hopefully it’s something pleasant, like that book you meant to read, or a pair of field glasses to do some birdwatching, or your Nintendo.
Right. Got it.
What I’m getting at is that if you go hit the road, you gotta throw out a safety line; bring along a bit of the home life you’re tired of to take the edge off. Bring something “me.” Your phone, a book, your 3DS, whatever. Better yet, take your vacation alone. Otherwise your time away hearing other mouths whine and warble can be…well, kinda stressful…
Bob Munro (Williams) is an overextended workaholic of which he is keenly aware. He’s been losing touch with his family for years, always in the grind to make him feel like spent coffee dregs. It’s to be understood he’s good worker, and has earned his bones, but his sympathetic side to his burnt out co-workers has earned him the reputation as a softie. It’s all about the bottom line and whom one must answer to.
That one is Bob’s shrill boss Todd (Arnett), a scheming, self-entitled boor who after his business garden party was ruined by Bob’s leftist teenage daughter Cassie (JoJo) Bob must atone for her sins. Guilt by association and all that. Turn over this ailing account Colorado way and maybe, just maybe Bob’ll get back on Todd’s good side (if he even has one).
But wait. Understanding his predicament that work has trumped family for far too long, Bob booked a vacation in Hawaii for the summer. Hawaii and Colorado are not next to each other Bob explains to Todd. But it’s either a fresh proposal or his job, which means surfing has to wait. Is there a work around? Have a cake and share it too?
Sure! Rent a big ol’ dumb RV and rewire the Hawaiian getaway to a cross-country road trip to go “camping” in Colorado. Bob’s long put-upon wife Jamie (Hines) isn’t so sure about the idea and earth-crunchie Cassie and prison thug-in-training son Carl (Hutchinson) hate it. What about Hawaii? What about beaches and surfing? What the blank’s in Colorado that so urgent?
For one, Bob’s career. For two, winning back his family. What’s going to take priority?
Most likely figuring out the dang seat belt on this mother-trucker…
Both Barry Sonnenfeld and Robin Williams are frustrating talents.
On the whole, Barry’s work is ideal for family fun. Big, brash stuff like The Addams Family movies, the Men In Black franchise and the goof-tastic, so-bad-it’s-good send up of TV’s Wild Wild West. He’s never tried to win awards, he just wants to have fun and wants the audience to take his hand. However when the guy gets lazy or simply complacent it shows. “Fun” films like For Love Or Money, Nine Lives and Big Trouble are terrible yawns, as if the director swore off coffee in favor of an evening melatonin regimen. Barry’s either really into his films, or just calls it in. There’s no grey area that says he’s trying. Instead, his movies get trying. His directing style has bipolar 2.
Same could be said of Robin. He had a lot of good roles nailed down, enough to dismiss (but not eradicate) the crapola he churned out either trying to learn how to ply his trade or just pay the wireless bill on time. Consider this: for every Dead Poet’s Society, The Fisher King or Good Will Hunting he has to answer for Hook, Toys and Father’s Day. Granted, the latter movies are not the former, but it was the same Williams all along. The guy wasn’t stupid, but maybe chose to be stupid just to let the manic comic man-child come out and play. It was more bad than good most of the time, and we as the audience were made to suffer. Care to watch Jack again, anyone?
Pairing such manic depressive talents together made for a very schizo comedy with RV. As far as Shakespeare saw it a comedy has a happy ending and a tragedy has a sad ending. RV twists that conceit backwards. It’s a comedy that we wish to end badly. Like with a thud.
Not surprisingly, RV feels cookie cutter. Ever since National Lampoon’s Vacation we all know what to expect from vacation movies. Everything that can and does go awry and all the antics can only be labeled as “zany.” Not funny, mind you, but definitely zany. BTW, what the f*ck does zany even mean? It means clownish, which is an apt term to describe Robin’s acting and Barry’s direction with RV. Except the usual motormouth comic histrionics are missing here, as well as the goofy zest Barry tries to imbue into his craft. Nope, what we got here are two very tired people. The air was out of the balloon before the opening credits were over.
This is a dumb thing to say but Robin was quite adept at tickling our collective funny bone back in the day. No, really. Look it up. Some of his early onscreen fluff—Popeye, Moscow On The Hudson, The Survivors, etc—just that, disposable entertainment, where acting craft came after the chuckles. His schtick both served and later haunted him as well, I feel. Over the years he became less coked-up man-child to solid character actor. He even got an Oscar under his boot. However all that time since Dead Poets’ Society audiences could never truly shake Robin’s—well—zany sense of humor and ADHD timing. Hey, when you land roles in films like Dead Again and The Final Cut it’s doubtful you’re going to reach for your old whoopee cushion any time soon.
So here, with this fluff titled RV a singularity appeared over Robin’s head and delivered a character completely devoid of clownish. In a comedy. A road trip comedy. Instead of rapid fire dialogue chased with quips aplenty we have Robin as frustration incarnate. Mostly with his character’s predicament but perhaps also with his career choices. It’s the first time I ever saw the man work a slow burn rather than manic panic. It’s oddly refreshing, but not for here and not now. Robin sells it so well it never appears like he’s having any fun at being Bob Munro. And he’s not. Even as the rest of the main cast proffer up their uptight, antisocial charm, Robin was living it in this movie. Come to think of it, none of the main cast seemed to having fun. That was sort of an inside joke at the film’s outset, but it sputtered, rusted and went clank by the end of the first act.We’re all in agreement here that Barry prized capital F fun in all his movies. Didn’t happen with RV. It just came across unfocused and wheezing. Ridiculous, and not in the best way.
The flaws with RV are myriad, but ultimately boils down to this fact: the movie just wasn’t funny. Beyond the stiff performances by Robin et al there were a lot of technical hiccups that pulled what few cards the movie had against its chest. Conflict is important is telling stories, even if it supposed to be for laughs. Hard to build that when the director is in a hurry. There was too much foreshadowing, still I couldn’t wait to see how the story would pan out. No surprises at all, but it’s like when my friend spoiled the twist in The Sixth Sense. Okay, I know Bruce Willis
REDACTED, now I just wanna how we get there. Seeing everything coming is (say it with me) not fun.
Now hold on there. I’ve only outright hated just one movie here at RIORI (EG: Project X), and have always tried to find something redeeming about a big batch of bleah. Too put it simply, what was wrong with the Gornike’s? Jeff Daniels’ and his film family were a hoot and a holler, and much more interesting than the Munros, as well as enjoyable. The “down home” gig of the Gornikes might be real cornpone, but they’re a lot wiser and happier than Bob and company. Might be a lesson in there somewhere, like there ever is sequel to RV in the works (never gonna happen) ditch the Munros and bring back the Gornikes. Remember that crucial scene in National Lampoon’s Vacation with Randy Quaid as Cousin Eddie? There you go.
We were trying to laugh here. We were really trying, but it was all so bland. Robin’s (and Daniels’) comedic talents were all but wasted here. Both called it in to some level. Even decent agents can make mistakes. Despite all the hackery I was really disappointed in Barry’s unfunny direction. Like almost everything Blake Edwards cut after Breakfast At Tiffany’s, the law of diminishing returns (and laughs) can’t be avoided unless you care. Believe in your product, lest no one else will.
Best be getting to returning that rental. Got that deposit and all.
Rent it or relent it? Relent it. Pretty sluggish and joyless flick for being about a cross-country road trip. Don’t forget to buckle up!
- “Try to remember we’re not friendly.”
- The whole RENT ME thing is a decent metaphor for Bob’s predicament. And Robin’s.
- I lost track of my facepalms.
- “I’ll get some music!”
- It’s amazing how technology can date a movie so fast.
- Why do I get the feeling that the motivation here is all about cleavage?
- “Wipe your feet.” Thank you unknown Amy Schumer!
- Okay, the “not meat” scene’s final edit was great.
The Next Time…
Willem Defoe and Robert Pattinson are trapped inside The Lighthouse they’re supposed to man through the densest of rolling fog. However insanity can really hamper one’s ability to stay focused.