RIORI Presents Installment #175: Harmony Korine’s “Spring Breakers” (2013)



The Players…

Selena Gomez, Vanessa Hudgens, Ashley Benson and Rachel Korine, with Gucci Mane and James Franco.


The Basics…

Spring break. It’s when all the lucky college kids get cut loose from their classes for an idyll on some sunny seashore drenching each other in suntan oil, alcohol and semen. Good, wholesome entertainment to let the pent up collegiate steam loose. If you can afford such debauchery on the beach.

Faith and her friends can’t. They’re broke, but they get it into their heads that unless they have a proper spring break they’ll be nothing but the outcasts they claim to be. But how to get some fast cash and get the hell outta Dodge?

Easy. Knock over the local Tex-Mex joint and abscond with the loot all the way to Miami. Or Aruba. Or jail?

Talk about getting away with getting away with it all.


The Rant…

I never had a proper spring break in college. By proper I mean never a vacation to sunny climes. I either went home or visited my girlfriend. Why? One: I was always broke, and; two, free laundry. I said I was always broke. Could never afford a week-long jaunt to sunny Hawaii. Truth be told I never saw the point. Just to get a week off of school was nice. That and getting stains out of things.

Yes, I visited that girl on occasion. She lived in rural Massachusetts, and no, there wasn’t any beach nearby (and if there was it was March in rural Mass. Wanna go count the mounds of slush on I-95?), but she was a spit away from the college/mafia town of Providence, RI. When Brown University let out its sigh, there were lots of cool shops to hang out at without the usual clogging. There’s something about the shopping district around a college that oozes with possibility of finding something neato in the underbrush that would usually be teeming 51 weeks out of the year. Cafes. Record Stores. Army surplus. May not have be Ixtapa, but I could locate a few pairs of Chuck Taylors in colors that forbade a sensible purchase, which came to around $25. That’s a month’s laundry money, BTW.

Did I want a “proper” spring break? Nope. Beyond the financial matters, I couldn’t justify the need to travel afar only to get pished, laid and sunburnt in some Olympic fashion as R&R from a syllabus. Minus the laurel crown I could do such dissoluteness at school, or rural Mass come to think of it. Sure, getting really away from it is all is great, even necessary once in a while, but when I go on a rare vacation, I don’t want to bring home (as well as the routine there) along for the ride. I travel light, thanks.

Way, way back in The Way Way Back installment I spoke of how vacations, especially those with family, can become a real drudge. You can’t really cut loose and be yourself when mom and dad have you in tow (along with several other generations of unknown relatives, strangers and hangers-on from the parking lot). That must be what the idea of spring break is so appealing, besides booze, babes and beaches. Sure, going to college is the first time “away” from everything for the lucky few, but the luckier few may afford spring break to get away from “themselves” for a while. Or worse turn into themselves for a week, and I ain’t talking nothing ’bout inner reflection.

I remember as a youth back when MTV blah blah blah was interrupted by going live to the scene of the crime: MTV Spring Break. Instead of getting the usual heavy rotation of Pearl Jam’s delightfully disturbing video for “Jeremy,” I had to endure Sodom by the sea with TLC’s sweet “Creep” oozing from somewhere out in the sand. Could’ve been Miami, could’ve been Aruba, could’ve been a sound stage for all I knew. What I learned from all this basic cable televised postcard from sunny bacchanalia was this: college kids’ll do all sorts of stupid things in front of a camera (and this being before social media, my catfishing friends) and the camera laps it up and spits it out. Then it was into my lap. I’m not badmouthing spring breaks, not at all. Let me tell you, due to lake effect climate any time to get away from the chilly gloom of overcast March in Central New York is always welcome, if not essential to maintaining a degree of sanity. It could get so grey somedays that I figured if I slugged a prof square in the nose I get to see some color ooze from his inflamed nostrils. Just saying. And since I was too broke or too afraid of melanoma I went back home to the sunny climes of Southeast PA, where there we fresh leaves on the trees and I could enjoy a Hershey’s Special Dark as a treat and not a K ration to ward off hypovitaminosis D. Did I mention that vital free laundry?

What I had to endure on MTV until my next fave video of the time came on (the Beastie Boys’ “Sabotage,” natch) was a bunch of buzzed, well-tanned, gyrating co-eds wearing bikinis made of what appeared to be unwaxed dental floss. Again, not badmouthing. It just all seemed overrated. Vacations are a need now and again, and destination vacations can be something of an adventure. In the vein of The Way Way Back all that spring break had a lot of baggage to me. Besides escaping the drudgery of classes for a week, what’s the big deal? It’s akin to a girl’s Sweet 16 party; and the big deal is? Guys don’t get a sweet 16. You’re old enough to drive now, that’s good. Cotillions went out of fashion when Hitler was a struggling art student. You don’t always need a vacation, but they sure are welcome in times of stress. You don’t need a reason to party, nor do you have travel afar and snort up Euros to have an “adventure.”

Must be some status symbol. It ain’t cheap to hog an entire Caribbean idyll for 7 days, but since the ‘rents are footing the bill go hog wild. Whether a camera crew will be there to cover the whole wad…well, no. That’s what smartphones are for: to document dumb things. And onto Instagram, Snapchat, Facebook and the FBI fingerprint database we go go go. Must look good to all us yutzes with fresh sheets and nowhere else to go come springtime. Might make the underprivileged feel left out of the loop, all that sun and fun and…well, freedom! Freedom to get trashed with impunity. Free to sleep (or at least pass out) on the beach. Free to get into all kinds of mischief, proper and/or unhealthy. Maybe even if you get lucky, it could wind up criminal.

Criminally free!

So for instance, let’s consider Faith and her posse’s dilemma.


The Story…

Everyone needs some time to blow off steam. A break from the norm. A break period. This goes for overextended parents, overworked social media specialists, overtaxed teachers and their burnt out students alike. Especially students at the college level what with day in/day out lectures, papers, study groups, insomnia, too much Red Bull and not enough White Claw. That’s what spring break is for. To get away from it all, break from the norm and blow off billowing clouds of steam. At least, that’s what Faith’s friends are all about.

Faith (Gomez) is understood to be a “good girl.” Studious, spiritual and unremarkable. She always seems just outside of her social circle of Brit, Candy and Cotty (Benson, Hudgens and Korine, respectively), who are privately wild but are too broke—all are too broke—to cut loose escape their humdrum coed lives. Typical. The good life always just out of their reach, or simply some time in the sun.

As spring break approaches, Faith gets it stuck into her head that unless she and her BFFs get a spring break themselves, regardless of their lack of funding, something’s gotta give. Faith has always been, well, one of the faithful, but her code of conduct has kept her from breaking loose for the past three years. Whether under pressure from her crew or the Word, Faith gets a hot nut to tear off to Sodom by the sea in sunny Florida. But there still is the more issue. How to scare up some cash fast? Ask Grandma for more birthday money?

Nope. Let’s knock over the local taco joint. All four of us. Smash and grab. Whaddya say, girls?

To quote Elwood Blues: “We’re on a mission from God.” We need to get away with getting it all.

The four pull off their scheme, and now have enough dough for fun in the sun. However as we all should understand, power corrupts. The rush of being criminals have left the taste of wanting more in Faith’s friends, and Faith just wants to lie in. Nope. Not if demented, curious pusher “Alien” (Franco) has his way. And his way is very sketchy and very charismatic. These fresh pieces of chicken have had a taste of the wild life, and Alien wishes to utilize their “talents.”

Faith has had enough. Her ideal spring break has stretched beyond a week, and no one can say why we can’t all go home?

Power, corruption and lies. Like Cotty says, “Spring break forever, bitches…”


The Breakdown…

Oh. My Lord.

All right, let’s talk about trash films. I don’t mean “trashy” films, they all ramshackle, lo-fi and accidentally deviant. I’m talking about “trash films” as a genre. I’m talking (and bowing) to the likes of ugly auteurs—and their cinematic spawn—like Paul Morrissey, Andy Warhol and the godfather John Waters. Misfits who cooked up such bad taste to celluloid that you could never unsee them. And wouldn’t want to. “Deviant” as pejorative as a salute of respect. Such calculated garbage was both decried and embraced as art (not that they would ever agree). It was cohesive smut with a solid story, a keen acumen or purpose and actors willing themselves to be willing. The matter that the matter of their final product was about sh*t taking a sh*t and then consuming said sh*t cries…

Sh*t happens? Well, okay. Onto the next act. Wipe away any excess KY from your lobes. Smile!

Director Korine is a fanboy. Or as Warhol would utter, “a dilettante.” And trying too damned hard to offer up satire and trash as social commentary with all the nuance of a Karen Carpenter diet plan. My first hyper-judgmental reaction to Breakers that it was stupid, but maybe I might have been too soon to count it out. I mean, there was a bit of a hullabaloo when this thing got released, but as I watched and kept watching I learned that its content and story were the driving force behind all Breakers‘ reputation. Me? I found it trying very hard to pander to an audience that was sketchy at best versus Tarantino on estrogen.

No. The real deal squeal was that the sweet, little Disney darling Selena Gomez was in an R-rated movie about she and her friends doing bad, bad things. I’m not gonna expound on that…much. Look, the woman was 20 years old when she starred in Breakers, many, many miles away from Waverley Place. Deal. Even Shirley temple grew up to be an ambassador, a role even more mature that Selena cavorting about in a bikini for 90 minutes (all right, that and playing with illegal firearms). The whole shaming/blowback of Gomez’ script selection is akin to Nickelodeon’s Jennette McCurdy of iCarly infamy. Her spin-off show more or less hit the skids due to bad PR about the Internet leaking naughty images of McCurdy. What?!? On the Internet?!? That never happens, and she was only 21 at the time! For shame Sam fans, and quick! Clear your browsing history!

What is it about grown Disney actresses that they feel it necessary to star in a never subtle trashy flick to declare their independence as a “serious actor?” Not to mention crawling out from under the image of the House Of Mouse (EG: Lohan, Lovato and now Gomez and Hudgens)? I suppose it’s that years of portraying wholesome young Disney ingenues may result in typecasting. That and playing such roles can get pretty darn boring. Not challenging. What better way to cut all ties with a turn in a flick like Breakers? Or like Twisted Nerve? Or like The Canyons? All of these movies are a U-turn from their starlets Disney beginnings. Not all of those films are trashy, per se, but an extreme breakaway from family-friendly fodder. And a lot of those “grown-up” roles in “mature” films have a lot of creakiness and growing pains. You can take the girl out of the theme park, but…

That being said, in some respects Breakers is self-aware and anti-Disney…to a degree. We’re not busting on Herbie: Fully Loaded here, not trashing any Disney formula or legacy. Director Korine is (with a heavy hand) decrying all that is romanticized about spring break—if, based on my teen TV watching habits, there is such a theme—and plays the “very bad things” with the elan of an 80’s teen sex romp, complete with the jarring MTV editing and/or Tangerine Dream-esque soundtrack. It’s all been done before and a lot better. Subtly can go a very long way, rather than this ham-fisted cautionary tale.

Yes. Breakers is at its core a “trash film” with a conscious. There is nothing to glorify these nymphets criminal acts and hyper-sexed debauchery, but nothing beneath warning that Gomez and company are gonna get busted. No sense of retribution of any kind, which leaves the plot open-ended and rambling. Really, the whole wad got less interesting when Gomez—ostensibly the reason butts got into seats here—went up and REDACTED, and then the gyre began to widen. If there is a message Korine was reaching for here is a forced “say so long to your youth.” Trash film and social commentary don’t marry well. Unless they do, but they don’t here.

Overall, I had a difficult time understanding where director Korine was taking me. Granted I probably wasn’t the target audience; I dislike Meghan Trainor, find White Claw to be Kool-Aid for the Bukowski set, gave up on my Instagram account long ago and never saw any iteration of the High School Musical franchise. In short, didn’t really care that Gomez and Hudgens starring in this pastiche. Just wanted to see the fallout, and The Standard was screaming at my to obey. The pacing was languid—sluggish would be a better word—the girls had no personality (they call could be interchangeable) and the story didn’t make a hell of a lot of sense. This was a PG T&A cakewalk with some T, rudderless story that dies in the second act and a short bus version of a John Waters trash film ethos. The difference there is snappy trash and morbid, moribund trash. Gloomy does not equal edgy here.

On a bright note, Franco stole the (small) show with his turn as Alien. He had fun with role, chewing scenery with a Shatner-like aplomb, only creepier. And is he ever creepy, right down to those nasty trailer park dreads and his garish grille. Beyond creepy, he sure as sh*t was committed to the role; you can barely recognize him here. Perhaps a similar motivation drove Franco to take the role after being cast as a lovable goofball ever since Whatever It Takes. Heck, the only sorta edgy role prior to Breakers is his PG-13 portrayal of Harry Osborn in Spider-Man 3If Franco was champing at the bit for a role of extreme makeover Breakers was it (and his play with Mane was delight, albeit dark but the most animation that came from this trifle). While Gomez accidentally stumbled onto edgy territory for just being herself (read: there), Franco threw the kitchen sink out of the window. He left a bad taste in my mouth, and that’s a good thing here.

The best description in the endgame I’d apply to Breakers is an attempt at Korine trying to be Michael Mann from the 80’s for the 21st Century. Grim, gritty and blurry with synths. But a lack of real substance in this trash film does not make it have substance. Granted, Devine eating doggie-doo does not have the cachet of Joe Pesci’s “how am I funny” improv rap, but both scenes are similar because they are both hard-to-take, kinda frightening and cannot be unseen. That, and they’re both relevant to the story writ large. Weak tantalizing does not a good trash film make, especially if making an obvious buck is sort overt with Breakers.

Look, truth be told, I didn’t want to watch Breakers. Yes, it fell under the aegis of The Standard and I’d be a liar if I said I wasn’t curious about how Alex Russo/Beezus handled herself in a big girl role, but my cynicism demanded justification. It was justified and now I wanna watch that old ep of Walker: Texas Ranger when Gomez was just a glint in Disney’s cash register.

And remember, like RIORI Chuck Norris never sleeps. He waits. Hopefully for a better movie than Breakers.


The Verdict…

Rent it or relent it? Relent it. A hoodwink. Not only Gomez is still just Gomez, but the story is a lame MTV weekend.


The Stray Observations…

  • “This wasn’t supposed to happen.”
  • The opening montage perfectly illustrates why other countries hate America.
  • Is that an El Camino?
  • Alien: the “anti-Wooderson.” Alright?
  • Every sort of sexual perversion, and yet—and yet—no dick shots.
  • Alien: actually the “anti-Logic.”
  • Makes my tits look bigger.” That’s it. We’re done here.

The Next Time…

We go on The Road with Viggo Mortensen, looking for America and unable to find it anywhere.

No. Really. Literally anywhere.


 

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